Sunny Afternoon: ★★★★ from The Times
Sunny Afternoon review By Dominic Maxwell, The Times
Read the full story
Sunny Afternoon: ★★★★ from the Evening Standard
‘An irresistible new musical which illustrates the brilliance of The Kinks’ By Henry Hitchings, Evening Standard
Read the full story
Sunny Afternoon: ★★★★ from WhatsOnStage
Sunny Afternoon review By Michael Coveney, WhatsOnStage
Read the full story
Sunny Afternoon: ★★★★ from Financial Times
The music is the star of this joyous account of The Kinks’ story By Sarah Hemming, Financial Times
Read the full story
Sunny Afternoon: ★★★★ from The Independent
Sunny Afternoon review By Nick Hasted, The Independent
Read the full story
Good People: ★★★★ from Metro
Hampstead Theatre’s run of excellent plays continues with David Lindsay-Abaire’s grittily comic examination of class, Good People By Metro
Read the full story
Good People: ★★★★★ from Sunday Telegraph
Imelda Staunton stars in an intelligent, stylish, new play at Hampstead Theatre about living on the wrong side of South Boston’s tracks By Tim Walker, Sunday Telegraph
Read the full story
Good People: ★★★★ from Financial Times
Imelda Staunton delivers a masterly performance in David Lindsay-Abaire’s class-infused drama By Ian Shuttleworth, Financial Times
Read the full story
Good People: ★★★★ from The Times
Good People review By Dominic Maxwell, The Times
Read the full story
Good People: ★★★★ from The Daily Mail
Good People review By Quentin Letts, The Daily Mail
Read the full story
Good People: ★★★★ from The Telegraph
Good People Review By Charles Spencer, Telegraph
Read the full story
Good People: ★★★★ from WhatsOnStage
Good People Review By Michael Coveney, WhatsOnStage
Read the full story
Good People: ★★★★★ from Evening Standard
Good People Review By Henry Hitchings, Evening Standard
Read the full story
Good People: ★★★★ from Guardian
Good People Review By Michael Billington, Guardian
Read the full story
Good People: ★★★★ from The Independent
Good People theatre review: Imelda Staunton magnificent as tough single mother By Paul Taylor, The Independent
Read the full story
Rapture, Blister, Burn: ★★★★ from Metro
Rapture, Blister, Burn reviewMetro
Read the full story
Rapture, Blister, Burn: ★★★★ from Independent
Rapture, Blister, Burn, theatre review: ‘Emilia Fox sparkles as sexy fortysomething’ By Emily Jupp, Independent
Read the full story
Rapture, Blister, Burn: ★★★★ from The Times
Rapture, Blister, Burn review By Kate Bassett, The Times
Read the full story
Rapture, Blister, Burn: ★★★★ from WhatsOnStage
Gina Gionfriddo’s satirical play starring Emilia Fox and Emma Fielding opened at Hampstead Theatre last night By Michael Coveney, WhatsOnStage
Read the full story
Rapture, Blister, Burn: ★★★★ from Evening Standard
Gina Gionfriddo’s sure-footed study of feminism has us gripped as sparks fly in the sisterhood By Fiona Mountford, Evening Standard
Read the full story
Rapture, Blister, Burn: ★★★★ from Telegraph
Emilia Fox stars in the latest play by American dramatist Gina Gionfriddo – a witty, absorbing look at gender politics today, says Charles Spencer By Charles Spencer, Telegraph
Read the full story
Rapture, Blister, Burn: ★★★★ from Time Out
Rapture, Blister, Burn Review By Andrzej Lukowski, Time Out
Read the full story
Rapture, Blister, Burn: Press Night photos
Taken by Jon Holloway
Read the full story
Drawing the Line: ★★★★ from The Sunday Times
Drawing the Line review by The Sunday Times Jane Edwardes
Read the full story
Drawing the Line: ★★★★ from The Daily Mail
Drawing battle lines at the end of the Raj By Quentin Letts, The Daily Mail
Read the full story
Drawing the Line: ★★★★ from The Independent
Drawing the Line, theatre review: ‘A fresh perspective on India’s partition’ By Paul Taylor, The Independent
Read the full story
Drawing the Line: ★★★★ from Metro
Prime minister asking a favour?
Read the full story
Drawing the Line: ★★★★ from WhatsOnStage
Drawing the Line Review By Michael Coveney, WhatsOnStage
Read the full story
Drawing the Line: ★★★★ from Evening Standard
Howard Brenton’s historical drama is a slick work which examines the independence of India and the creation of Pakistan By Fiona Mountford, Evening Standard
Read the full story
Drawing the Line: ★★★★ from Guardian
Howard Brenton’s ambitious account of the partition of India in 1947 crams an amazing amount into 25 scenes of cool clarity By Michael Billington, Guardian
Read the full story
Drawing the Line: ★★★★ from FT
Howard Brenton’s new play skilfully distils the turmoil of partition, focusing on the role of one man By Sarah Hemming, Financial Times
Read the full story
Raving: ★★★★★ from Daily Mail
It’s rude, crude and absolutely hilarious By Quentin Letts, Daily Mail
Read the full story
Hysteria: ★★★★ from Sunday Times
Hysteria: Review By Maxie Szalwinska, Sunday Times
Read the full storyMost viewed
- Short Film: Behind the Scenes of The Two Character Play Read full story
- BIG BIG SKY CAST ANNOUNCEMENT Read full story
- THE MEMORY OF WATER AND MALINDADZIMU ANNOUNCED Read full story
- THE TWO CHARACTER PLAY: ★★★★ FROM INDEPENDENT Read full story
